Aditya
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迈克尔·维加尔
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作为“美国式英雄”的代表，“超人”其实从未离我们远去。至少在电视上如此。这部连续剧是在1993年由美国华纳兄弟影视集团推出的,到1997年为止一共拍了四部,和中国广大观众见面的只是其中的两部。1993年，ABC电视台播出了电视版本的新超人，现在红透荧屏的“绝望的主妇” 泰瑞海切尔是该剧的女一号。该剧叙述了克拉克进入大城市工作以及和露易斯的感情故事，并以此为故事主线，更多的强调了“新超人”作为人的真实感情与谈吐举止，再加上新的拍摄手法和科幻成分，它的播出影响了很大一批年轻的观众。在第四季中，Lois和Clark最终走进了幸福的婚姻殿堂。当然在结婚的前后还是有一些波折，他们的生活总是这么充满惊心动魄的刺激。当他们终于历经重重磨难走到一起的时候，又有新的状况发生了。超人的生物性与地球人不同，因此即便他们夫妇两个都非常想要个小孩子...------木小北
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Eric Lahmène
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艾玛在夜深人静的时候被带走了，浑身是瘀伤，意外怀孕了。在妇女庇护所找到了一个新家，她重新发现了自己失去的一面。在住在避难所的妇女和儿童中，个人创伤交织在一起。尽管他们有分歧，但一种微妙的姐妹情谊出现了。“一部关于女性为自尊和独立而战的电影，面对一个剥夺她们发言权的世界。这部电影将观众带到了一个女性避难所的墙壁后面，向他们展示了一个令人惊讶的充满活力的世界，那里的生活正在重建。如果有痛苦，也有力量、快乐和希望。角色和他们的故事植根于真实的经历和情感，由演员和非演员共同扮演。情感诚实至关重要”。导演的笔记。
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Edgar Nito
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传说很久以前，大自然在湖边和谐共生，直到邪恶降临。被黑暗欲望蒙蔽的人带来了恐惧、仇恨和死亡。渔民们称之为La Miringua，就是因为你的罪恶而把你拖到湖里的那个。
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David Grossman
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五年后，可爱又略显笨拙的森林之王乔治（克里斯多夫·绍尔曼 Christopher Showerman饰）和美丽的白人少女乌苏拉（朱莉·本茨 Julie Benz饰）一直过着自由自在的丛林生活。然而刚刚身为人父的乔治，却对自己的新身份有些力不从心。一方面，他是淘气顽皮的小乔治（安加斯·T·琼斯 Angus T. Jones饰）的父亲和不太适应丛林生活的乌苏拉的丈夫，一方面他又肩负着森林之王的责任。而更糟的是，乌苏拉的母亲碧翠丝（克里斯蒂娜·皮克尔斯 Christina Pickles饰）一直千方百计拆散他们。不仅如此，她还伙同乌苏拉以前的未婚夫莱尔（托马斯·哈登·丘奇 Thomas Haden Church饰）计划催眠乌苏拉，极力要把女儿和孙子带回现代社会，然后把乔治的黑猩山夷为平地！
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Peter Miller
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Marcella Hazan changed how we cook and eat Italian. Millions love her recipes -- now hear her amazing story.
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Rupert Russell
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THE LAST SACRIFICE uncovers the real-life witchcraft killing that inspired THE WICKER MAN and birthed the folk horror genre. This unsettling true-crime interrogation unlocks the perverse cultural undercurrents that shaped the genre from its murderous beginnings to its modern-day resurrection. This is a journey that gets under the skin of British polite society, that slays with ...
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未知
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The series will follow the adventures of a new class of Starfleet cadets as they come of age in one of the most legendary places in the galaxy. tar Trek: Starfleet Academy will introduce us to a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they will discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.
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罗恩·曼恩
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Acclaimed director Ron Mann delves into the captivating rise and fall of Clairtone Sound Corporation, an audacious Canadian electronics company founded by Peter Munk and David Gilmour during the vibrant 1960s.
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艾什莉·麦肯齐
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Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry. Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.